Export MXF with several audio channels for broadcasting

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• Export .mov with specific audio channel configuration

  Hello

  I have several audio tracks in a sequence of first (CS6) - production of sound clips are on n ° 1 to 6 titles and temporary fx are on no. 7 to 9 titles. I was invited to export file .mov (H.264 codec, with stereo sound in preview video to change its process in Pro Tools) with all the sounds of production in all temporary sound effects for the right channel and the left channel. How can I make it the fastest way? Is there a simple way to tell the first titles will go in which channels? Or maybe I should reproduce the sequence and the pan a few tracks to the left and some on the right manually?

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  Have you tried to create a few submixes?

  http://help.Adobe.com/en_US/PremierePro/CS/using/WS1c9bc5c2e465a58a91cf0b1038518aef7-7f23a .html #WS1c9bc5c2e465a58a91cf0b1038518aef7-7f22a

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  I have read and followed the many discussions on this subject. I am grateful that the broadcaster has the patience to endure my test files. Yet once the broadcaster rejected my fifth test file, I am asking for help.

  I've set up a channel Master 8. Channel 1 is a frazzled left stereo mix. Channel 2 is a frazzled right stereo mix. Channel 7 is a copy of channel 1. Channel 8 is a copy of channel 2.

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  Bring your export in PP.  If you add to that a sequence and see audio 7 and 8, then the problem lies in the diffuser.  If you don't see not audio it, post back with a screenshot of your export settings.

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  Hello

  I went out of a television project and must provide a video file Prores 422 (HQ) with 4 audio channels.

  Mix of left

  Good combination

  E & M left

  E & M right

  My project has 4 audio tracks, but the export settings dialog box gives me only the following options

  single track

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  What I'm missing here.

  It is a function which can made from Premiere Pro?

  Thanks in advance.

  Hi CheshireSmile24,

  This article should help you: http://strypesinpost.com/2012/11/exporting-multichannel-quicktimes-in-premiere-pro/

  Thank you

  Kevin

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  Hello

  So my question is in my title.

  I provide a MXF for a local television station. They ask me to create a MXF with audio 4 channels - 23LUFS.

  First, I create my sequence, I put 2 Adaptive audio track with my audio file. But when the first to export, it blends all my audio track and then give me a MXF with busy channel 1/2 and 3/4 empty.

  I need help :-)

  I am grateful for!

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  Is having two 970's beneficial for first use SLI and AE?  Can I use the SLI bridge or not?   Can I turn in NVIDIA SLI Control Panel?  Or did I frankly just lose $330?

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  Eric Bowen of computers ADK is frequently here on this forum, and with Bill Gehrke, can give you the best technique advises compared to your current and future workflow exact. Change style and which codecs you use are very important.

  Given that you JUST improved don't panic... There are a few simple adjustments, you can do to get the most out of your current equipment.

  1. make sure your Samsung 850 pro has ONLY your operating system, programs and Windows swap file on it... nothing more. Turn off "Indexing" for all your disks in the system. You will need a separate and quick 'reader' for ALL your other files (images, previews, projects, export, media cache and cache files). The IDEAL reader for this is the new SSD Samsung SM951 PCI, which runs more than 1.5 GB/s.  The performance is going to be super fast. the use of this drive, but its capacity is LIMITED. You would then be advised to add drive hard level of large companies 'offload' all files to the guard. These recent hard drives crashed at 200 MB/s with a 128 MB cache on them and go up to at least 6 TB of size... they are not expensive.

  2. your CPU is designed to be overclocked... TAKE ADVANTAGE of that and try to get the highest stable frequency, you can with it, ensuring that you use a good cooling solution--probably water. Performance will get a significant boost of this MOST important factor.  Of course, your CPU has "only' '8 processors" with hyperthreading from the end superior Haswell E CPUs that can give you sixteen YEARS... but, SPEED of CPU CLOCK is KING and will affect your performance because MOST of the video are processed ONLY with the CPU. NVidia GPU support will BE GREATLY whenever SPECIFIC on your timeline functions are those which can be CUDA accelerated... i. e "scaling", "ultra key", "dissolves" and a host of effects and other features. When it is the GPU CAN speed up the heavy calendar saturated with CUDA effects by a factor of TEN TIMES when "made this preview," or, "exporting media" your CPU has a stock speed of 3.6 Ghz and will be turbo up to 3.8 on all 4 cores. MANY users are overclocking your processor to a stable 4.7 Ghz... Some are more than 5 GHz! You can see that an increase of a full Ghz would give you about 20-25% performance... it's a LOT!

  It has been said here on this forum that once the processor is more than 4 GHz, it's OK even to 4K.

  However, I've ALSO seen here, (Eric, I think), that certain types of 4K really needs to have a GPU that has a minimum of 4 GB of memory DDR5 video memory due to "frame problem", or "frame buffer".    Thus, a return of the 970 s and KEEP one, (if it has 4 GB of video memory or more). Use the return to SM 951 drive.

  3. make sure all your settings are properly defined. In Windows, power settings make sure that all settings are for OPTIMAL PERFORMANCE so that Windows reduce NOT anything automatically... I learned this lesson on my laptop... the DEFAULT settings have been throttling the CPU and the GPU all the time until I fixed it!

  Then, first, make sure that you have the correct settings to allocate the amount of memory for first use... Eric has said here, it should be at least 3 GB by thread (I think... it can called ' base'...) I forgot). In YOUR case it means assign 24 GB of system memory for first, (8 'threads' x 3 = 24 GB). The rest can be defined for use in 'other programmes' of course, you can experiment and increase the amount of 3.5 or another higher.

  4. do not panic... Bill and I have the same laptops Asus who two years now with the 765 m 2 GB NVidia GPU in them and the HQ of 4700 i7 CPU. We shitcanned included and 5400 RPM hard drive and we both installed two quality SATA III SSD in each of the two hard drive bays. We also each increased the memory of the laptop to 24 GB. Bill has already done a few projects 4K basic on his laptop and I have experimented with 4K on mine. On my laptop, basic editing is not a problem with 4K, but addition of video tracks and effects slowing it... However, the chronology which fixes not making it. YOUR machine correctly overclocked, with more memory than we and a SM 951 and a GPU 970 should do very WELL at the moment... I think.   Unless you want to spend 4 to 5 $000 on a new machine of Haswell E X 99!

  p.s. If you are working with 4K and 1080 p quality, you need a couple of good monitors. I recently bought TWO 27 inch Acer IPS monitors that are WQHD, or, 2560 x 1440 p in the resolution. They were rated very high in addition to a review and are IPS... the density of pixels is IDEAL... to 27 inches, 1440 p video looks LIKE 4 K!   The quality of the color and the image is amazing. My laptop powers BOTH monitors at full resolution! We use HDMI 1.4 and the other the 'mini displayport' 1.1 connection... (which is also called Thunderbolt version 1). This monitor is only $200 on the egg, (including a $50 discount). Others in this class are 6 to 7 cents.

• (HELP) When you export sectors with no audio sound glitches

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  Update to 2015.2.

• Mapping audio channels for surround sound in CS4 first pro

  In the search on the forum on nearby sound problems, I managed to make me totally confused hope so can someone straighten out me.

  I'm putting audio in a calendar that would appear only in the rear speakers and when I try to map all the channels I get to select from is the front speakers, even if my project settings all show that six speakers surround audio. I know that the audio channel mappings must be made before putting the audio in the timeline panel.  I also read in the forum that something still will not accept a sound surround.  Tell me that's not so.

  What Miss me?

  Snow White,

  Adobe does not sell to directly SS Minnetonka SurCode DD 5.1 plugin, BUT if you buy it through PrPro, you save about $ 50, at the course to buy on the site Web of Minnetonka - special offer for the users of PrPro.

  Now, in CS4, you will NOT be able to use the ADL (Adobe Dynamic Link) for AC3. You will need to show the "old-fashioned" way, export of basic vapours, i.e. a video only and an Audio files only.

  This THREAD may also be of interest to you.

  Good luck and if you have any questions, or questions, do not hesitate to ask,

  Hunt

  PS - when in again, you can NOT preview DD 5.1 SS. Only, this mode 'place', but will have TO write the DVD/BD DD 5.1 SS. You just have to follow that in PrPro and not in yet.

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  When you go to interpret, I chose multichannel, then specified 4 tracks.

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• export a project with several audio tracks changing volume level regardless of the export format

  Recently, I had to submit a TVC and discovered this first changed the power after export level, when the TVC has no quality control.

  I checked the sound intensity of other formats that I had exported and the same thing happened the sound intensity, she had changed.

  After a bit of troubleshooting, I've found a workaround. I have mixdown all tracks in adobe hearing to a track and then imported it in first.

  Once I did the sound intensity did not change after the export.

  "Workflow" for when it did not work.

  I used the edit in adobe for audio tracks from first hearing.

  Corresponding to the audio for the power level, I wanted to and then recorded each track.

  Export first.

  To check the sound intensity

  Put in the file exported in new project first

  Edit audio in adobe hearing.

  Drag the audio file in game audio to check the sound level.

  I use

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  Windows 7 on PC

  Fix this adobe.

  So you should use Loudness Radar in the mix... .to requires the specification of the broadcaster.

  Your workflow such as described did not understand that.